So my new job took some time to settle into, but I think I've got it now. As promised, here's some new artwork!
Andromeda |
I still never added a background because I wanted to give the sense that she IS the universe. I have been thinking of doing more ladies along these lines but I haven't really had the inspiration yet to do more.
Owls for Grandma |
I had told her a few years back that I would paint her an owl and I just never did. Truthfully, tried a few times to digitally paint her an owl and it never turned out right. Maybe I was hard on myself I dunno.
Eventually I bought a wood board and decided to do this with acrylic paint instead and that turned out to be a good decision. What started out as only being one owl, turned into three when I realized that eastern screech owls were really tiny and the hollow in the tree was a little large to put just one in there.
Oliver Lucas: The Staff of Moses |
to the left here is a finished commission done by myself and my usual partner in crime, Nga Nguyen. (Her lines, my colors as usual) I went to a small one day show in Richmond VA, where I met local author Andrew Linke. We are currently working on book cover number two!
This was a pretty ambitious piece with all the hieroglyphics in the background. Not to mention that making something look old and a bit distressed is somewhat difficult to do in photoshop. sometimes your textures tend to come out too perfect to look right.
Anyway, I hope to have the second cover done by mid September. Nga is always super punctual with her work, but me? Not so much. Just another something I have got to work on. I need to make myself work more. I run on inspiration far too much.
Clockwork Koi |
My job deals a lot with machines and I actually enjoy it. I'm used to seeing metal, rivets, nuts and bolts, and hydraulic lines, so I incorporated them into my art here.
The lotus flowers seemed out of place and far too plain when I added them next to the mechanical features of the koi. After a little thinking, I decided to go with an antique lamp look. My grandmother had one of those antique stained glass looking lamps, so I used those as a reference. I eventually want to draw a dragon to match it, but that will have to wait until I've cleared my commission list.
Love you to the moon and back |
I told her I'd do it and decided to have it done in watercolor but didn't stop to think that I haven't actually seriously used watercolor paint. I don't think that el cheapo watercolors when I was ten years old really counts as practice. So I may have panicked a little.
I watched a few tutorials, grabbed a few supplies and just hoped that it would turn out okay. I'm happy to say that she loves it and not too many people could tell that I'm a total watercolor n00b. What can I say? I learn really fast. I have to. If I had to list a skill as my best asset, it wouldn't even be art, it would be the ability to bullshit like I know what I'm doing until I actually do know what I'm doing.
In any case, that's all I have for the moment. It makes me happy that this is the most artwork that I've updated in a while. I'm getting more time to do it these days since I ditched that old job and found this one. I just... feel better. It's amazing how much your job affects your life. Since ditching my old job and getting with this new one I've lost nearly 20 pounds, I've completed four more artworks and sketched many more, and I've signed up for the most conventions I've ever done in one year.
Speaking of conventions, I've also updated my convention schedule page. If you know of any that I may be interested in, feel free to comment! I'm always looking for more!
Talk to you again soon!
Spark, out.
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